A collaboration with the Brooklyn Museum for its first retrospective on the 86-year-old conceptual artist and critic Lorraine O’Grady. Known for examining how identity is constructed and enforced, O’Grady’s exhibition *Both/And* looks closely at the Western framework of self and other. Her work reflects on the instability of personal experience—especially Black female subjectivity—and on the structural inequalities embedded in art institutions. For the project, we created two t-shirts and one hoodie featuring two of O’Grady’s key works: *Cutting Out The New York Times* (1977) and *Miscegenated Family Album (Sisters I)* (1980/1994).
Year: 2021
Clients: Études Studio, Brooklyn Museum
Category: Object, Direction, Curatorial